Benjamin Britten and his temporal variations for oboe
Benjamin Britten is one of the most prominent composers of the twentieth century, not only in the UK, but throughout the world. His work covers a large number of genres,…

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About pianist Alexei Panov
December 3, in the Spanish Hall of Prague Castle, an evening concert was held with the participation of the Czech Virtuosi chamber orchestra, in which the famous pianist and conductor,…

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HISTORY OF VOCAL PERFORMANCE AND SCIENCE
The history of vocal performance is a scientific discipline that sheds light on the evolution, process and patterns of singing as a separate form of art in musical culture that…

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prevent fragmentation

Glissando for trombone in Bolero Maurice Ravel

Trombone storytellers look like tales of anglers!
And about the trombone solo in the work of Maurice Ravel, journalist Broussardi heard many times. And now it’s the turn to tell on behalf of Leo Arno the story of the creation of this masterpiece.

Broussard’s journalist told us that Maurice Ravel wrote a melody with flamingos (Flamenca). Continue reading

Performing analysis of “Symphonic Etudes” op.13 by R. Schumann

“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading

Musical drama of sonata allegro and its study in piano lessons
In the musical and performing development of high school students, a special place is occupied by work on large-scale works. Already in grades 3-4, on the basis of sonatine literature…

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Musical ability testing. Toolkit for conducting introductory auditions in a music school
The process of self-knowledge and self-improvement is unlimited. Mastery is talent multiplied by labor. Given the desire for determination and will, everyone is able to create from himself what he…

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THE PHILOSOPHICAL-AESTHETIC ASPECTS OF THE CATEGORY OF CREATIVITY IN MUSIC AND PERFORMING ARTS
The theory of musical performance, and in particular of its individual branches, has not yet been fully established. This conclusion exists in musicology and still, despite the high level of…

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Music defines the direction of development of civilization
The attention of connoisseurs of classical music, seekers of the underlying causes of its impact on our souls, is presented with a video lecture by the musician and public figure…

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