The process of establishing a certain emotional content for each key continued in the music of Viennese classics and covered almost their entire list in the music of romantics, both Western European and Russian.
And here the same thing is possible as the perception of music in color. The color ear was distinguished by very few composers (Rimsky-Korsakov, Scriabin, for example), but with some coincidences both in individual notes and tonalities, their perception was different. Continue reading
January 6, 1834 the anthem “God Save the Tsar!” Was adopted as the anthem of the Russian Empire. It was first publicly performed the day before, on December 18, 1833, and replaced the previous hymn, “The Prayer of the Russian People”
“God save the Tsar!
Reign in glory to us;
Reign in fear to enemies Continue reading
In pedagogical practice, quite often questions arise related to the memorization of a musical work and its performance from memory. Some students have a tenacious, strong memory; others grasping “on the fly” remember the work inaccurately, superficially; the third is difficult to remember. In the process of working with some students, it is sometimes difficult to correct an incorrectly memorized phrase, fingering, and reception. Continue reading