Performing analysis of "Symphonic Etudes" op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also…

Continue reading →

STAKHEVICH A. G. SPIRITUAL MUSIC P. G. CHESNOKOV
The life and work of the outstanding Russian composer Pavel Grigoryevich Chesnokov (1877-1944) was devoted to the choral art of the Orthodox Church. Chesnokov’s spiritual musical heritage has been little…

Continue reading →

Musical drama of sonata allegro and its study in piano lessons
In the musical and performing development of high school students, a special place is occupied by work on large-scale works. Already in grades 3-4, on the basis of sonatine literature…

Continue reading →

aggregate

Semantics of keys …

The process of establishing a certain emotional content for each key continued in the music of Viennese classics and covered almost their entire list in the music of romantics, both Western European and Russian.

And here the same thing is possible as the perception of music in color. The color ear was distinguished by very few composers (Rimsky-Korsakov, Scriabin, for example), but with some coincidences both in individual notes and tonalities, their perception was different. Continue reading

Live music or a museum of sounds?

It has been a good two decades since Norman Lebrecht published his sensational book “Who Killed Classical Music”, and then other works on the same topic. Soon, a wide discussion arose around the world about whether real music would survive, in which leading critics, managers and bloggers from different countries took part, including such authorities as Greg Sandow, Alex Ross, Colin Itok, Deborah Borda, Leon Botstein and others . Disputes continue to this day, the problem is actively debated on Internet forums. Our critics and musicologists are still silent … Continue reading

Castrati singers in the Italian opera of the XVII – XVIII centuries

In modern historiography of opera, the role and significance of castrati singers is not sufficiently illuminated and causes even some bewilderment. Meanwhile, the development of Italian opera in the era of Baroque and Classicism was determined by the leading position and singing skills of sopranists and contralists, mainly in the genre of opera-seria of the 18th century. Continue reading

The initial period of training a button accordion player. Setting up the gaming machine.
A lot depends on the correct setting of the gaming machine at the initial stage of training - both the formation of a professional musician and the education of an…

...

Types of Verdian Voices in La Traviata
Issues related to changes in vocal styles in the era of romanticism in musicology are not well developed, as they affect the highly specialized aspects of pedagogy of solo singing…

...

Conductor Igor Blazhkov - about Stravinsky, about modern music, about Shostakovich and about himself
Mravinsky’s pupil Igor Blazhkov, who recently celebrated his eightieth birthday, is known to a whole generation of Soviet music lovers as one of the main propagandists of “new music” in…

...

One-Dimensional Man 3. Victory over Unhappy Consciousness: Repressive Desublimation
The achievements and failures of modern society have deprived the high culture of its former importance. The glorification of an autonomous personality, humanism, tragic and romantic love, apparently, was an…

...