FROM THEORY TO PRACTICE A draft competition in musical theory for the final classes of children's music schools and children's music schools
Is there such a teacher of theoretical disciplines in the world that a student would not ask at one fine moment: “why do I need this” - meaning solfeggio classes?…

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Musical drama of sonata allegro and its study in piano lessons
In the musical and performing development of high school students, a special place is occupied by work on large-scale works. Already in grades 3-4, on the basis of sonatine literature…

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Conductor Igor Blazhkov - about Stravinsky, about modern music, about Shostakovich and about himself
Mravinsky’s pupil Igor Blazhkov, who recently celebrated his eightieth birthday, is known to a whole generation of Soviet music lovers as one of the main propagandists of “new music” in…

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Glissando for trombone in Bolero Maurice Ravel

Trombone storytellers look like tales of anglers!
And about the trombone solo in the work of Maurice Ravel, journalist Broussardi heard many times. And now it’s the turn to tell on behalf of Leo Arno the story of the creation of this masterpiece.

Broussard’s journalist told us that Maurice Ravel wrote a melody with flamingos (Flamenca).
Therefore, the musicians devoted a lot of time to the execution of the work, the style of the game was perfected.
And now it is time to perform Maurice Ravel’s Bolero. It all came down to glissando, and the trombonist Lafoss tried to play in a jazz manner, and Maurice Ravel insisted on playing as a trombonist Leo Arno.
Unlike Leonard Bernstein, who asked me to look more like Tommy Dorsey when playing solo in low register. I ended up soloing openly, with some vibrato and gentle fading, but I doubt that ever, I sounded like Tommy Dorsey. You see, the players of trombonists, as well as the composer found a common vision of a brilliant work. Thus, today, it is not known whether Maurice Ravel was originally going to use glissando in his work or not. Of course, Arthur Fiedler believed that glissando should be!

LESSON SCENARIO ON MUSIC LITERATURE
The hero in the work of Haydn and Mozart - what is he? The visual row of picturesque pictures is shown. Teacher: Tell me, please, to which musical style are…

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Golubkova V.V: “Retrospective analysis of foreign methods for choral music making”
This article emphasizes the importance of the methodology of musical pedagogy of the twentieth century in the study of musical and aesthetic education of children. In the field of musical…

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The initial period of training a button accordion player. Setting up the gaming machine.
A lot depends on the correct setting of the gaming machine at the initial stage of training - both the formation of a professional musician and the education of an…

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Siberian maestro and the mysteries of his soul
People's Artist of the Russian Federation, Professor Arnold Mikhailovich Katz is one of the most famous people in our city. A lot of books, articles, reviews have been written about…

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