Features of the TV channel "Culture" in the context of modern Russian media
XX century entered the history of mankind as a century of information technology that changed the worldview of culture. What was available only to the elect became the property of…

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Piano story
In Russian, the words "forte" and "piano" are translated as "loudly" and "quietly." Originally used the name "pianoforte". In the clavier of the XIX — XX centuries. (in music practice…

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Voice Hygiene
The professionalism of an artist-vocalist includes a number of requirements, and one of the main such qualities is ... the ability of an artist to maintain himself in good vocal…

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Glissando for trombone in Bolero Maurice Ravel

Trombone storytellers look like tales of anglers!
And about the trombone solo in the work of Maurice Ravel, journalist Broussardi heard many times. And now it’s the turn to tell on behalf of Leo Arno the story of the creation of this masterpiece.

Broussard’s journalist told us that Maurice Ravel wrote a melody with flamingos (Flamenca).
Therefore, the musicians devoted a lot of time to the execution of the work, the style of the game was perfected.
And now it is time to perform Maurice Ravel’s Bolero. It all came down to glissando, and the trombonist Lafoss tried to play in a jazz manner, and Maurice Ravel insisted on playing as a trombonist Leo Arno.
Unlike Leonard Bernstein, who asked me to look more like Tommy Dorsey when playing solo in low register. I ended up soloing openly, with some vibrato and gentle fading, but I doubt that ever, I sounded like Tommy Dorsey. You see, the players of trombonists, as well as the composer found a common vision of a brilliant work. Thus, today, it is not known whether Maurice Ravel was originally going to use glissando in his work or not. Of course, Arthur Fiedler believed that glissando should be!

Fundamentals of Vocal Pedagogy Lecture Course - 1
Topic 1. Introduction to the specialty. Vocal pedagogy is a branch of knowledge about the nature of the singing voice and the use of its capabilities in musical performing practice,…

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A little bit about the musical education of children
Dear, dear colleagues! I dare to publish this small article only because at every point I can refer to authorities. And yet - I think that it can help beginner…

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Live music or a museum of sounds?
It has been a good two decades since Norman Lebrecht published his sensational book “Who Killed Classical Music”, and then other works on the same topic. Soon, a wide discussion…

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FROM THEORY TO PRACTICE A draft competition in musical theory for the final classes of children's music schools and children's music schools
Is there such a teacher of theoretical disciplines in the world that a student would not ask at one fine moment: “why do I need this” - meaning solfeggio classes?…

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