Semantics of keys

Formation of independent work skills in playing the accordion (reading notes from a sheet, selection by ear)
One of the most important tasks in the process of learning to play any musical instrument is to teach a student to work independently, constantly improve and develop. On the…

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Musical memory and its development
In pedagogical practice, quite often questions arise related to the memorization of a musical work and its performance from memory. Some students have a tenacious, strong memory; others grasping "on…

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Golubkova V.V: “Retrospective analysis of foreign methods for choral music making”
This article emphasizes the importance of the methodology of musical pedagogy of the twentieth century in the study of musical and aesthetic education of children. In the field of musical…

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Conductor Igor Blazhkov – about Stravinsky, about modern music, about Shostakovich and about himself

Mravinsky’s pupil Igor Blazhkov, who recently celebrated his eightieth birthday, is known to a whole generation of Soviet music lovers as one of the main propagandists of “new music” in the USSR. He conducted the first performances of Schoenberg, Webern, Ives, Varez, Volkonsky, corresponded with modern composers from all over the world, from Boulez to Stockhausen. Continue reading

One-Dimensional Man 3. Victory over Unhappy Consciousness: Repressive Desublimation

The achievements and failures of modern society have deprived the high culture of its former importance. The glorification of an autonomous personality, humanism, tragic and romantic love, apparently, was an ideal only for the passed stage of development. What we see now is not the degeneration of high culture into popular culture, but its refutation of reality. Continue reading

Profession – Orchestra Artist

The psychology of the work of an orchestral musician is sparingly covered in literature. This article is addressed primarily to students of the orchestra faculty of musical universities preparing themselves for work in orchestra groups, and students – conductors. However, the problems raised in it are interesting not only for students, but for everyone who loves symphonic music. Continue reading

Performing analysis of “Symphonic Etudes” op.13 by R. Schumann

“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading

Siberian maestro and the mysteries of his soul

People’s Artist of the Russian Federation, Professor Arnold Mikhailovich Katz is one of the most famous people in our city. A lot of books, articles, reviews have been written about this person. But, unfortunately, most of these publications do not explain the riddle of this man’s amazing creative will, which allows him to reappear on the podium after difficult surgical operations1).

They say that in ancient Greece the sounds of the wind musical instrument avlos were used as an anesthetic during surgical operations. Continue reading

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STAKHEVICH A. G. SPIRITUAL MUSIC P. G. CHESNOKOV
The life and work of the outstanding Russian composer Pavel Grigoryevich Chesnokov (1877-1944) was devoted to the choral art of the Orthodox Church. Chesnokov’s spiritual musical heritage has been little…

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Methodological issues of studying scales and studies in piano lessons
Work on scales and arpeggios should begin from the first year of study, as soon as the student has mastered the basics of staging and sound production. When learning scales…

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Golubkova V.V: “Retrospective analysis of foreign methods for choral music making”
This article emphasizes the importance of the methodology of musical pedagogy of the twentieth century in the study of musical and aesthetic education of children. In the field of musical…

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Castrati singers in the Italian opera of the XVII - XVIII centuries
In modern historiography of opera, the role and significance of castrati singers is not sufficiently illuminated and causes even some bewilderment. Meanwhile, the development of Italian opera in the era…

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