severity
Performing analysis of “Symphonic Etudes” op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading
movement
occurs
views
buffoons
reject
uncomfortable
natural voice
connection
despite
technique
rhythm
voice
profession
vocal
game
sounds
colors
enthusiasm
Siepie
consonants
memorization
change
containing
exposition
accompanist
proposals
comfortable
professionalism
Domingo
journalistic
Giaurov
concepts
range
characters
text
unique
apparatus
transition
countries
Nucci
tasks
prevails
Bergonzi
oratory
nature
creation
place
thunderous
choirmaster
appears
landlord
formation
interpretation
evolution
correct
composer
consciousness
reprise
severity
timbres
direction
notes
complex
reasons
failures
development
accompaniment