severity
Performing analysis of “Symphonic Etudes” op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading
comfortable
development
Domingo
occurs
connection
unique
exposition
containing
complex
rhythm
reasons
text
memorization
accompaniment
correct
concepts
consonants
professionalism
composer
change
oratory
landlord
vocal
choirmaster
prevails
colors
appears
failures
timbres
movement
consciousness
formation
transition
direction
reprise
uncomfortable
place
Giaurov
Bergonzi
natural voice
game
despite
accompanist
voice
enthusiasm
characters
buffoons
profession
countries
creation
views
reject
journalistic
apparatus
Nucci
thunderous
nature
tasks
evolution
proposals
technique
interpretation
severity
sounds
Siepie
notes
range