Types of Verdian Voices in La Traviata

Issues related to changes in vocal styles in the era of romanticism in musicology are not well developed, as they affect the highly specialized aspects of pedagogy of solo singing and opera performance. Meanwhile, of great interest is the problem of preserving and rethinking the traditions of Belcanto of the 18th century in Italian opera art of the mid-19th century and, in particular, in the work of the mature period J. Verdi (1813-1901). Continue reading →