Methodological issues of studying scales and studies in piano lessons
Work on scales and arpeggios should begin from the first year of study, as soon as the student has mastered the basics of staging and sound production. When learning scales…

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Features of the piano texture in the works of F. Liszt (from the experience of accompanist)
List's first experiments in the field of vocal music (three sonnets of Petrarch) relate to a stay in Italy, i.e. by 1938-39 years. During the years of wandering, cycles of…

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Golubkova V.V: “Retrospective analysis of foreign methods for choral music making”
This article emphasizes the importance of the methodology of musical pedagogy of the twentieth century in the study of musical and aesthetic education of children. In the field of musical…

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January 6 – the birthday of the hymn “God Save the Tsar”

January 6, 1834 the anthem “God Save the Tsar!” Was adopted as the anthem of the Russian Empire. It was first publicly performed the day before, on December 18, 1833, and replaced the previous hymn, “The Prayer of the Russian People”

“God save the Tsar!
Strong, sovereign,
Reign in glory to us;
Reign in fear to enemies Continue reading

Methodological aspects of the work of a accompanist in a vocal class

In the modern musical world, the work of an accompanist very often fades into the background, but meanwhile, it is no less important than the work of a teacher. Often the role of the pianist is to some extent even more responsible: in addition to several stages of learning the work that the accompanist takes with the student, he performs with him on stage in the ensemble. The success of this ensemble, this performance, in many respects depends on his level of skill. Continue reading

Better than Tatar: four albums of clever jazz and world music
Today we listen to folk rock with electronics, mixed up with Tatar folk motifs, a young Moscow fusion without borders and a solo piano concert that will pleasantly surprise even…

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Performing analysis of "Symphonic Etudes" op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also…

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Music defines the direction of development of civilization
The attention of connoisseurs of classical music, seekers of the underlying causes of its impact on our souls, is presented with a video lecture by the musician and public figure…

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Chamber evening
I was lucky to be a guest of the world opera star at her chamber concert in the Small Philharmonic Hall. Veronika Dzhioeva sang Russian music. Glinka, Varlamov, Bulakhov, Dargomyzhsky,…

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