FROM THEORY TO PRACTICE A draft competition in musical theory for the final classes of children's music schools and children's music schools
Is there such a teacher of theoretical disciplines in the world that a student would not ask at one fine moment: “why do I need this” - meaning solfeggio classes?…

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Better than Tatar: four albums of clever jazz and world music
Today we listen to folk rock with electronics, mixed up with Tatar folk motifs, a young Moscow fusion without borders and a solo piano concert that will pleasantly surprise even…

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Work on sound production in the cello class
It seems to the author of this article that the work on sound production on the cello is a complex large work of the teacher and student, consisting of many…

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movement

Formation of independent work skills in playing the accordion (reading notes from a sheet, selection by ear)

One of the most important tasks in the process of learning to play any musical instrument is to teach a student to work independently, constantly improve and develop. On the accordion, this is also of paramount importance. For such work, students need certain skills, the ability to set tasks on their own, perform them and adequately evaluate the result. Continue reading

Methodological issues of studying scales and studies in piano lessons

Work on scales and arpeggios should begin from the first year of study, as soon as the student has mastered the basics of staging and sound production. When learning scales and arpeggios, the student should get acquainted with elementary theoretical information about the structure of major and minor scales, for this it is recommended to familiarize him with the conditional tone scheme of the fifth circle. Continue reading

A little bit about the musical education of children
Dear, dear colleagues! I dare to publish this small article only because at every point I can refer to authorities. And yet - I think that it can help beginner…

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Semantics of tonality ... (part II)
Since we are talking about an authentic instrument system in the performance of music of the 18th – early 19th centuries, I will share some observations. One of the pioneers…

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Methodological aspects of the work of a accompanist in a vocal class
In the modern musical world, the work of an accompanist very often fades into the background, but meanwhile, it is no less important than the work of a teacher. Often…

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Glissando for trombone in Bolero Maurice Ravel
Trombone storytellers look like tales of anglers! And about the trombone solo in the work of Maurice Ravel, journalist Broussardi heard many times. And now it’s the turn to tell…

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