Performing analysis of "Symphonic Etudes" op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also…

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Musical memory and its development
In pedagogical practice, quite often questions arise related to the memorization of a musical work and its performance from memory. Some students have a tenacious, strong memory; others grasping "on…

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Basics of vocal pedagogy Lecture course - 2
Topic 3. Scientific concepts of the activity of the vocal apparatus in singing. A) Myoelastic and neurochronactic theories as a single concept With the advent of the art of solo…

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evolution

Fundamentals of Vocal Pedagogy Lecture Course – 1

Topic 1. Introduction to the specialty.

Vocal pedagogy is a branch of knowledge about the nature of the singing voice and the use of its capabilities in musical performing practice, the science of training and educating a professional singer. In different eras of musical art, there were different views on the nature of the singing voice and the problem of its use in performance. Continue reading

Metropolitan Hilarion on the features of the upcoming performance of the Christmas Oratorio
One of the important events of these Christmas days will be your oratorio. What will be the feature of the new performance? - The Christmas oratorio was written by me…

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Performing analysis of "Symphonic Etudes" op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also…

...

Performing analysis of "Symphonic Etudes" op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also…

...

STAKHEVICH A. G. SPIRITUAL MUSIC P. G. CHESNOKOV
The life and work of the outstanding Russian composer Pavel Grigoryevich Chesnokov (1877-1944) was devoted to the choral art of the Orthodox Church. Chesnokov’s spiritual musical heritage has been little…

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