despite
Performing analysis of “Symphonic Etudes” op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading
complex
creation
thunderous
oratory
countries
timbres
professionalism
choirmaster
accompaniment
development
text
consonants
connection
concepts
natural voice
severity
containing
game
sounds
colors
consciousness
Nucci
unique
memorization
profession
prevails
correct
Siepie
characters
Giaurov
apparatus
occurs
uncomfortable
despite
direction
notes
reasons
enthusiasm
accompanist
buffoons
reprise
Bergonzi
comfortable
range
reject
failures
views
tasks
journalistic
evolution
landlord
formation
appears
exposition
movement
interpretation
vocal
voice
technique
change
nature
Domingo
rhythm
transition
composer
place
proposals