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Performing analysis of “Symphonic Etudes” op.13 by R. Schumann
“Etudes in the orchestral character of Florestan and Eusebius” was the name of the cycle. However, the first edition, released in 1837, received the title Symphonic Etudes. There was also another option – “Etudes in the form of variations.” The name that has come down to our days, in my opinion, fairly and accurately characterizes this work. If you pay attention to the texture, you can observe the image of orchestral timbres through the piano (violins, woodwind, brass instruments). Continue reading
natural voice
vocal
accompaniment
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professionalism
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buffoons
unique
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comfortable
proposals
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choirmaster
Giaurov
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appears
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Bergonzi
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rhythm
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Nucci
consonants
thunderous
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colors
accompanist
timbres
sounds
severity
Domingo
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Siepie
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